450px-1520 Sedwick Ave., Bronx, New York1-1-
1520 Sedgwick Avenue
Location The Bronx, New York City, New York
Country United-States
Completed 1967
Floor area 119,919 ft

1520 Sedgwick Avenue is a 102-unit apartment building in the Morris Heights neighborhood in The Bronx borough of New York City, New York, United States of America. Recognized as a long-time "haven for working class families," in 2010 the New York Times reported that it is the "accepted birthplace of hip hop." After a long period of neglect and shady dealings in the 1990s and 2000s the building has been "highlighted by elected officials and tenant advocates as an emblem of New York’s affordable housing crisis." Senator Charles E. Schumer called the building "the birthplace of predatory equity," and Representative José E. Serrano, speaking of the building's recent purchase, called it, "such a visible building."

On July 5, 2007, 1520 Sedgwick Avenue was recognized by the New York State Office of Parks, Recreation and Historic Preservation as the "Birthplace of Hip-Hop."


The creation of the Cross Bronx Expressway uprooted thousands in the Bronx during the early 1970s, displacing communities, and fostering to white flight. Receiving its first mortgage in 1967, 1520 Sedgwick Avenue is located on the Expressway.

Hip hop birthplaceEdit

1520 Sedgwick Avenue has been called "an otherwise unremarkable high-rise just north of the Cross Bronx Expressway and hard along the Major Deegan Expressway." As hip hop grew from throughout the Bronx, 1520 was a starting point where Clive Campbell, later known as DJ Kool Herc, presided over parties in the community room at a pivotal point in the genre's history.

DJ Kool Herc is credited with helping to start hip hop and rap music at a house concert at 1520 Sedgwick Avenue on August 11, 1973. At the concert he was DJing and emceeing in the recreation room of 1520 Sedgwick Avenue. Sources have noted that while 1520 Sedgwick Avenue was not the actual birthplace of hip hop - the genre developed slowly in several places in the 1970s - it was verified to be the place where one of the pivotal and formative events occurred that spurred hip hop culture forward. During a rally to save the building, DJ Kool Herc said, "1520 Sedgwick is the Bethlehem of Hip-Hop culture."

August 11, 1973Edit

On August 11, 1973, Clive Campbell DJed for his sister Cindy's back-to-school party in the recreation center at 1520 Sedgwick. After spending months perfecting a new technique involving "playing the frantic grooves at the beginning or in the middle of the song" with two turntables, a mixer, and two copies of the same record, Campbell unveiled the technique at his sister's party. After renting the recreation room for US$25, Cindy charged 25 cents for females and 50 cents for males to attend. "I wrote out the invites on index cards, so all Herc had to do was show up. With the party set from 9 p.m. to 4 a.m., our mom served snacks and dad picked up the sodas and beer from a local beverage warehouse." With the exhibition of his new style, Campbell's friend Coke La Rock demonstrated another innovation called rapping. Attendees, or people who later claimed to be there, include Grandmaster Caz, leader of the Cold Crush Brothers, Grandmaster Flash, Busy Bee, Afrika Bambaataa, Sheri Sher, Mean Gene, DJ Red Alert, and KRS-One.

Ownership and maintenanceEdit

Starting in the early 2000s, building owners threatened to turn 1520 into high rent units. Senator Schumer led a rally in 2007 focused on maintaining the affordable costs of the housing in order to maintain its working class roots. The New York State Office of Parks, Recreation and Historic Preservation recognized the building as the "birthplace of hip hop" on July 5, 2007.

Starting in 2007 the building's owners sought to repeal the status afforded to the building by the Mitchell-Lama Housing Program, which allowed it to maintain rent control for low-income and working class residents. Despite work by groups such as the Urban Homesteading Assistance Board and the Tenants and Neighbors Association to preserve the building’s Mitchell-Lama status, the courts allowed the building's status to be repealed. In 2008 the building was sold to a real estate group that included Mark Karasick, a prominent real estate investor, which intended to turn the building into market-rate housing. However, after the United States housing bubble burst a period of neglect and threats of forced evictions daunted residents, and despite promises to the opposite, the building fell into decline.

In 2010 the city's Housing Development Corporation provided a $5.6 million loan to allow Winn Development and a new group called Workforce Housing Advisors to buy the building’s mortgage from Sovereign Bank for $6.2 million. Rafael E. Cestero, the commissioner of the New York City Department of Housing Preservation and Development, said they supported the sale in order to help provide sustainable housing for working class families.

Notable residentsEdit

See alsoEdit


See AlsoEdit

The Four Core Elements Breaking | DJing | Graffiti | MCing
Hip-Hop culture Dance | Fashion | Music | Production | Theater | Beatboxing
History History | Golden age | Old school | New school
Subgenres Acid rap – Alternative hip-hop – Bit-HopBounce musicChicano rapChopped and screwedChristian hip-hopConscious hip-hopEast Coast hip-hopFreestyle rapGangsta rapHardcore hip-hopHorrorcoreIndie hip-hopInstrumental hip-hopMafioso rapMidwest hip-hopNative American hip-hopNerdcore hip-hopUnderground hip-hopPolitical hip-hopPop rapSnap musicTurntablismWest Coast hip-hop - Trap (music genre)
Fusion genres Abstract hip-hop - Baltimore clubCountry rapCrunkCrunkcoreCumbia rapElectro hopG-funkGhetto houseGhettotechGlitch hopHip-Hop soulHip houseHiplifeHyphyIndustrial hip-hopJazz rapMerenrapNeo soul - Rap metalRap operaRap rockRapcoreDigital Hardcore - Wonky (music)
By continent African | Asian | European | Latin American | Middle Eastern
By country
Other Turntablism | 1520 Sedgwick Avenue | Master of Ceremonies | Hip-Hop music | Hip-Hop culture | Hip-Hop Timeline: 1925 - Present | Scratching | Hook (music) | Break (music) | Sampling (music) | Synthesizer | Hip-Hop rivalry | Misogyny in hip hop culture | Rap Genius
Lists & Categories Genres | Models

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